Blog Archive for July, 02009



Death of tribal elder brings California language closer to extinction

Published on Tuesday, July 14th, 02009 by Tex Pasley

Alvino SivaWith the passing of Cahuilla elder Alvino Siva on June 26, the language of the Cahuilla of Southern California moved one step closer to being lost forever.   Silva was one of just a handful of fluent Cahuilla speakers left.  A 1994 estimate placed the total number of speakers between 7 and 20, all elderly.  Cahuilla is one of the 516 languages listed by the Ethnologue as critically endangered, and linguists estimate that we may lose as much as 90% of the world’s 6,800 languages in the next century — an average of one human language per week.

Siva was especially interested in teaching and preserving Cahuilla bird songs, which tell the origins and history of the Cahuilla people. The debut of the documentary “Sing Birds: Following the Path of Cahuilla Power,” at Idyllwild Arts Academy, chronicles this rich oral history. Siva’s interviews, along with those of two other Cahuilla elders, feature prominently in the film.

The Rosetta Project Archive houses more than 30 Cahuilla recordings, assembled in the fall of 1937 by John P. Harrington, some of which include performances of bird songs (available in this Google Earth Layer).  During 40 years as a field ethnologist for the Smithsonian, Harrington collected recordings of languages throughout California and the Americas, including Cahuilla. The original wax cylinder and aluminum disk recordings are now kept at the National Anthropological Archives in the Smithsonian.   The Rosetta Project Archive also includes a Cahuilla grammar and set of texts that you can find in our special collection in the Internet Archive.

Stewart Brand’s environmental heresies

Published on Monday, July 13th, 02009 by Alexander Rose - Twitter: @zander

Stewart Brand’s TED @ State Department talk is now up on the TED site.  The talk is a bit of preview of his new book coming out this fall, as well as the expanded talk he will be giving in our series on October 9th in San Francisco

Apollo Moon Landing Anniversary Concert at London’s Science Museum

Published on Monday, July 13th, 02009 by Austin Brown

Chief Curator Dr. Tim Boon at London’s Science Museum sent us a note to let us know about an event they’ll be holding later this month.

This July 20th will be the 40th anniversary of Apollo 11′s landing on the moon.  To celebrate, the Science Museum is premiering a new live arrangement of Brian Eno’s 1983 album Apollo: Atmospheres and Soundtracks.

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An ensemble known as Icebreaker will team up with pedal steel guitarist BJ Cole for the performances, which will be accompanied by original footage of the moon landings compiled by Al Reinert.  The audiovisual serenity will take place inside the Science Museum’s IMAX theater.

New compositions based on recordings from space by Douglas Benford and Iris Garrelfs will also be featured and they’ll take place in the ‘Making the Modern World’ gallery.  The gallery is home to the Apollo 10 Command Module as well as Prototype I.

If you’ll be in the area and you want tickets, call 0870 870 4771.

The age of discovery

Published on Friday, July 10th, 02009 by Kirk Citron

The Long News: stories that might still matter fifty, or a hundred, or ten thousand years from now.

We may have Google-mapped every last nook and cranny of our planet, but we’re still finding ways to push back the limits of what we know. A few recent discoveries:

1. Could Mars have sustained life? New images show evidence of ancient Martian lake

2. Further into outer space: Black hole is most massive known

3. Closer to home: Sub explores ocean’s deepest trench

4. Pushing back our understanding of our own history (it seems the gatherers, not the hunters, invented agriculture): Food storage began well before farming

5. The invention of food storage on a smaller scale: Chinese pottery may be earliest discovered

6. And this story (found by Will Hill) of a species almost as successful as we are: Ant mega-colony takes over world

We invite you to submit Long News story suggestions here.

Monkeys to replace human linguists!

Published on Thursday, July 9th, 02009 by Tex Pasley

Cottontop Tamaran

This recent study has found that monkeys are able to discern the prefixes and suffixes of human language.  These word parts are essential to the grammars of many languages — including English, where verbs are changed by the addition of suffixes to mark things like tense, aspect, person and number (hear-d, hear-s, hear-ing, etc.).

In the study, Cottontop Tamarin monkeys (pictured on the left) were made to listen to human speakers modifying a fictitious word base “shoy”.  The monkeys would grow accustomed to hearing a phrase such as “shoy-bi,” where “bi” functions as a suffix. When the monkeys heard “bi-shoy” — turning “bi” into a prefix — they reacted by turning to the researcher playing the recording, indicating they were aware of the inconsistency in the sound pattern. What’s more, the monkeys were able to recognize the change after hearing a single phrase only a few times.

Lead Author Ansgar Endress, a researcher at Harvard University, sees a parallel in the way human babies learn the rules of affixation in a language by tracking the position of speech sounds in relation to one another. By identifying this cognitive function in other animals, he suggests that the ability to comprehend and categorize affixation, a key mechanism driving human language, may have evolved for a non-linguistic purpose.

(By the way, we here at The Rosetta Project aren’t really worried about having our jobs outsourced to other primates, since they haven’t been shown to be able to parse infixes, circumfixes, much less nonconcatenative morphology.   And they can’t type very well.  Now, being replaced by machines… this has us a little worried!)

Star Cage Music

Published on Wednesday, July 8th, 02009 by Austin Brown

Long Now member Dick Esterle sent us a note to mention Japanese artist Akio Hizume.  He bills himself as an architect on his website where he documents the many structures he’s created.  Many of them are made of bamboo and feature patterns based on the Fibonacci Sequence and the Golden Ratio.

In 02006, he built a really cool piece called Sunflower Tower.

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Many of his installations, this one included, are accompanied by compositions also based on natural harmonies.  The music for Sunflower Tower shares a striking resemblance to Brain Eno’s January 07003: Bell Studies for the Clock of the Long Now.  Hizume describes his piece here:

This music was generated by computer.
Every tone consists only of overtones based on the Golden Ratio.
Every tone was arranged on scale based on the Golden Ratio.
Every tone plays the Rhythm based on the Golden Ratio.

Please listen to the fragments of the endless music.

He’s got two snippets of this piece available, plus lots of samples from other pieces on the website.

Here’s the view from the inside of Sunflower Tower:

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The Disposable Dark Age

Published on Tuesday, July 7th, 02009 by Austin Brown

Despite what The Graduate taught us, investing in plastic isn’t always a smart bet.  Slate has an article discussing the troubles museums are having as their modern art collections begin to age.  Though plastic gets a bad rap for not being biodegradable, sculptures made of it just don’t seem to last.

In the 1920s, Gabo and other artists began experimenting with plastic, both because it offered the freedom to create any shape in any color and because they believed artists should embrace technology and a plastics-based industrial future. (Gabo was trained as an engineer.) Plastics manufacturers assured the artists that cellulose acetate was durable—Greek marble for a new generation. Not quite. It turned out plastics were no more intrinsically stable (and sometimes less stable) than wood, paint, or any other media—a detail Gabo and the Philadelphia curators never suspected until too late.

The UK’s Tate has done plenty of research trying to preserve some of this work and has published several papers in its online research journal documenting the process.  Researchers even created this Powerpoint presentation to explain how to properly care for plastic works.  These images, from that presentation, show the extent of the degradation in one of Gabo’s pieces – Construction in Space: Two Cones.  The first one was taken in 1978,

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and the second today.

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(Sent to us by member Dan Novy – Thanks!)

4th century Bible goes digital

Published on Monday, July 6th, 02009 by Tex Pasley

Codex Sinaiticus

The Codex Sinaiticus, the oldest extant copy of the Bible, has been digitized by the Codex Sinaiticus Project, and can now be viewed online here. The manuscript contains the entire New Testament, and most of the Old Testament, all in Greek (the original language of the New Testament). The physical manuscript is divided unequally among four locations in Britain, Germany, Russia, and Egypt, so the online version marks the first time the Codex can be viewed in its entirety in 100 years, when the first part was taken from St. Catherine’s Monastery on Mount Sinai.

The Rosetta Project Language Archive includes a Greek Septuagint translation of the first three chapters of Genesis. This landmark Greek translation holds great historical significance, since it was the preferred translation of most Early Christian writers, including Paul, and is the text quoted throughout the New Testament.

The Choice of Cities

Published on Monday, July 6th, 02009 by Kevin Kelly

[from The Technium]

 

Cities are technological artifacts, the largest technology we make. Their impact is out of proportion to the number of humans living in them. As the chart above shows, the percentage of humans living in cities averaged about one or two percent for most of recorded history. (The chart’s Y axis is a logarithmic scale of percentage.) Yet almost everything that we think of when we say “culture” arose within cities. After all, the terms “city” and “civilization” share the same root. But the massive citification, or urbanization, that characterizes the technium today is a very recent development. Like most other charts depicting the technium, not much happens until the last two centuries. Then populations booms, innovation rockets, information explodes, freedoms increase, and cities rule.Cities may be engines of innovation, but not everyone thinks they are beautiful, particularly the megalopolises of today, with their sprawling rapacious appetites. They seem like machines eating the wilderness, and many wonder if they are eating us as well. Is the recent large-scale relocation to cities a choice or a necessity? Are people pulled by the lure of opportunities, or are they pushed against their will by desperation?  Why would anyone willingly choose to leave the balm of a village and squat in a smelly, leaky hut in a city slum unless they were forced to?

Well, every city begins as a slum. First it’s a seasonal camp, with the usual free-wheeling make-shift expediency. Creature comforts are scarce, squalor the norm. Hunters, scouts, traders, pioneers find a good place to stay for the night, or two, and then if their camp is a desirable spot it grows into an untidy village, or uncomfortable fort, or dismal official outpost, with permanent buildings surrounded by temporary huts. If the location of the village favors growth, concentric rings of squatters aggregate around the core until the village swells to a town. When a town prospers it acquires a center — civic or religious — and the edges of the city continue to expand in unplanned, ungovernable messiness. It doesn’t matter in what century or in which country, the teaming guts of a city will shock and disturb the established residents. The eternal disdain for newcomers is as old as the first city. Romans complained of the tenements, shacks and huts at the edges of their town that “were putrid, sodden and sagging.”  Every so often Roman soldiers would raze a settlement of squatters, only to find it  rebuilt or moved within weeks.

Babylon, London, and New York all had seamy ghettos of unwanted settlers erecting shoddy shelters with inadequate hygiene and engaging in dodgy dealings. Historian Bronislaw Geremek states that “slums constituted a large part of the urban landscape” of Paris in the Middle Ages. Even by the 1780s, when Paris was at is peak, nearly 20% of its residents did not have a “fixed abode” — that is they lived in shacks. In a familiar complaint about medieval French cities, a gentleman from that time noted: “Several families inhabit one house. A weaver’s family may be crowded into a single room, where they huddle around a fireplace.” That refrain is repeated throughout history. Manhattan was home to 20,000 squatters in self-made housing. Slab City alone, in Brooklyn (named after the use of planks stolen from lumber mills), contained 10,000 residents in its slum at its peak. In the New York slums “nine out of ten of the shanties have only one room, which does not average over twelve feet square, and this serves all the purposes of the family.”

San Francisco was built by squatters. As Rob Neuwirth recounts in his wonderful book Shadow Cities,  one survey in 1855 estimated that “95 percent of the property holders in [San Francisco] city would not be able to produce a bona fide legal title to their land.” Squatters were everywhere, in the marshes, sand dunes, military bases. One eyewitness said, “Where there was a vacant piece of ground one day, the next saw it covered with half a dozen tents or shanties.” Philadelphia was largely settled by what local papers called “squatlers.”  As late as 1940, one in five citizens in Shanghai was a squatter. Those one million squatters stayed and kept upgrading their slum so that within one generation their shantytown became one of the first 21st  century cities.

That’s how it works. Over time slums gain permanency. Ad hoc shelters are upgraded, infrastructure extended, and makeshift services become official. What was once the home of poor hustlers becomes, over the span of generations, the home of rich hustlers. Propagating slums is what cities do, and living in slums is how cities grow. The majority of neighborhoods in almost every modern city are merely successful former slums. The squatter cities of today will become the blue-blood neighborhoods of tomorrow.

Slums of the past and slums today follow the same description. The first impression is and was one of filth and overcrowding. In a ghetto a thousand years ago and in a slum today shelters are haphazard and dilapidated. The smells overwhelming. But there is vibrant economic activity. Every slum boasts eateries, and bars. And most have rooming houses, or places you can rent a bed. They have animals, fresh milk, grocery stores, barber shops, healers, herb stores, repair stands, and strong armed men offering “protection.” A squatter city is, and has always been, a shadow city, a parallel world without official permission, but a city nonetheless.

The improvisation and creative energies unleashed by a squatter city are so attractive that we build them just for the pleasure of their raucousness. Take Burning Man, the arts festival arising every year in the Nevada desert. It is a bona fide squatter city built and run semi-legally by its inhabitants. It is, in essence, a slum with porta potties. It draws 40,000 residents who bang together huts, shanties, tents, and make-shift shelters, and then, like any other slum, trade, barter, and share their few skills and belongings. The owner-built architecture of Burning Man is thrilling, and the gift economy bracing. Because this futuristic slum is so dense and temporary, it has one of the highest concentrations of creativity I’ve seen anywhere.
Like any city, a slum is highly efficient. Maybe even more than the official sections because nothing goes to waste. The rag pickers and resellers and scavengers all live in the slums and scour the rest of the city for scraps to assemble into shelter, and to feed their economy. Slums are the skin of the city, its permeable edge that can balloon as it grows. The city as a whole is a wonderful technological invention which concentrates the flow of energy and minds into computer chip-like density. In a relatively small footprint, a city not only provides living quarters and occupations in a minimum of space, but a city also generates a maximum of ideas and inventions.

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The squatter city at Black Rock, Nevada

As Stewart Brand notes in the City Planet chapter of his upcoming book Whole Earth Discipline, “Cities are wealth creators; they have always been.”  He quotes urban theorist Richard Florida who claims that 40 of the largest megacities in the world, home to 18% of the world’s population, “produce two-thirds of global economic output and nearly 9 in 10 new patented innovations.” A Canadian demographer figured that “80 to 90 percent of GNP growth occurs in cities.” The raggedy new part of each city, its squats and encampments, often house the most productive citizens. As Mike Davis points out in Planet of Slums, “The traditional stereotype of the Indian pavement-dweller is a destitute peasant, newly arrived from the countryside, who survives by parasitic begging, but as research in Mumbai has revealed, almost all (97 percent) have at least one breadwinner, and 70 percent have been in the city at least six years…”  Slum dwellers are often busy with low paying service jobs in nearby high rent districts; they have money but live in a squatter city because it’s close to their work. Because they are industrious, they progress  fast. One UN report found that households in the older slums of Bangkok have on average 1.6 televisions, 1.5 cell phones, a refrigerator; two-thirds have a washing machine and CD player, and half have a fixed line phone, video player and a motor scooter. In the favelas of Rio, the first generation of squatters had a literacy rate of only 5%, but their kids were 97% literate. (more…)

Rosetta Mission Landing – as seen through the Artist’s Eye

Published on Friday, July 3rd, 02009 by Laura Welcher

Stewart forwards this beautifully detailed rendering of the Rosetta Mission by artist Erik Viktor, showing the landing craft on the icy surface of Comet 67P/Churyumov-Gerasiamenko and the sun beyond.  The main spacecraft above is the orbiter, with 14 meter solar panels on each side.  The orbiter has eleven groups of scientific instruments, intended to take readings from the lander, and relay them back to earth. The prototype Rosetta Disk is also on the orbiter, located on the exterior underneath thermal blankets.  The orbiter is due to rendezvous with the comet in 02014.

Rosetta Craft Artist Rendering

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