Art project in progress A History of the Sky features lots and lots of time-lapse videos of the sky that are synchronized so that they’re all showing the same time of day.  Ken Murphy is the artist that created it and he hopes to one day manifest all the data he’s collecting as a video installation that’s always displaying the skies of the last 365 days.  The project was recently featured at the Exploratorium, but it’s still in a need of a home for the installation.

Here’s how it works.

If you’d like to see an installation in person, here are several upcoming opportunities:

• Maker Faire UK, at the Life Science Centre Planetarium, Newcastle UK: March 13-14, 2010
• Google I/O Conference After Hours Party, at Moscone West, San Francisco: May 19, 2010
• Bay Area Maker Faire, at the San Mateo County Event Center: May 22-23, 2010

Long Now has three events coming up over the next 8 days and we wanted to be sure you all had the right info for reserving tickets and making it out to all three.

• Long Now and Global Lives Project celebrates the opening of its first installation on Friday February 26th at the Yerba Buena Center for the Arts in San Francisco.  The event is free, but you’ll want to RSVP so you can be sure to get in.  The installation will be up on Saturday and Sunday over the weekend as well.
  
• Beth Noveck on “Transparent Government”  Thursday March 4, 02010 at 7:30 pm at the Herbst Theater in San Francisco. Long Now Members can reserve 2 seats free, or you can purchase tickets for $10 each.

• Alan Weisman on “World Without Us, World With Us.” Wednesday February 24 (Thanks for coming this event went great)

Rosetta Project Director Laura Welcher recently took part in a segment on The History Channel’s Life After People series.

In an episode titled “Crypt of Civilization,” Laura discusses the Rosetta Disk and The 10,000 Year Clock.   

The central question of the series is “How long would it last?” The series explores various materials, systems and structures built by humans to determine their durability sans maintenance as well as natural systems and how they might flourish or decline without human intervention.

“Crypt of Civilization” focuses on time capsules, vaults and other attempts to create long-lasting caches of materials or data.  Laura explores some of the unique challenges in designing artifacts like the Disk and Clock to last thousands of years while the show’s producers vividly illustrate them.

You can watch the series on its website (though the “Crypt of Civilization” episode isn’t available yet).

Dedicated to bringing together video documentation of the daily lives of disparate global citizens, the Global Lives Project celebrates the opening of its first installation on February 26th at the Yerba Buena Center for the Arts in San Francisco.  This opening is sponsored in part by the Long Now Foundation through a grant from the William and Flora Hewlett Foundation.

The Global Lives Project’s World Premiere installation will be on view at the Yerba Buena Center for the Arts from February 26 – June 20, 2010! The exhibit is part of an artist residency that will evolve over four months. We will be showing, for the first time ever, our series of ten 24-hour videos of daily life from around the planet.

Join Global Lives, Long Now and the YBCA for the opening night celebration on February 26th from 7:30pm to 11:30pm.  There will be a cash bar and music from San Franciscans Kid Kameleon, Chief Boima, and Tinker.  Global Lives producers and directors will be there to discuss the project.

The event is free, but you’ll want to RSVP so you can be sure to get in!

As you may remember, Longplayer is a project by Jem Finer: a composition designed to last 1,000 years.  Along with a live performance of portions of the composition last year, a Long Conversation was held that lasted for 12 hours:

In parallel with a live performance in the Roundhouse’s Main Space, the Artangel Longplayer 2009 Conversation took place in the Studio Theatre. Writer Jeanette Winterson began and ended the 12-hour talking marathon of twenty leading writers, filmmakers, scientists, academics and technology activists, inspired by the philosophical implications of long time.

MP3 audio of that conversation is now available.

Those of you in the general vicinity of Berlin should check out the next round of the Long Conversation at the Transmediale Futurity Now! Festival on February 5th.  The following evening (Feb. 6th) will feature presentations by Bruce Sterling and our very own Alexander Rose on the topic of Atemporality.

Great piece in the Washington Post on the future of ancient books in Timbuktu.

“A sort of ancient-book fever has gripped Timbuktu in recent years” as outsiders encounter large, family-owned collections of ancient manuscripts which remain in private hands. at the same time, Timbuktu’s residents “hope to lure the world to a place known as the end of the Earth by establishing libraries for visitors to see their centuries-old collections of manuscripts.”  For those who do not sell their collections privately, small libraries are in bloom across the city.

Yet with instructions from ancestors to preserve ancient books within families, there is a reluctance to place them in libraries currently being built for the very same purpose. “Many owners refuse to part with their books… but they struggle to raise funds to restore or display them.”

It is interesting that that so many families were able to preserve these manuscripts for so long.  What caused this culture of long term preservation?

Consider the Library of Alexandria, which Stewart Brand covers in Clock of the Long Now. It experienced at least four fires, two from “collateral damage” by Ptolemy VIII (88 B.C.E) and Julius Caesar (47 B.C.E.), and two from religions on the rise (Christianity and Islam).

The ability to preserve these books over many centuries so far rests with families intent on honoring and adhering to requests from ancestors, a rather small and fragile model compared to the infrastructure needed to build a great library. Yet it is possible that a family with instructions from ancestors is, in some sense, a better library than a library itself.

Six hundred years ago, Timbuktu was packed with university students (at about 25,000, the size of a modestly large mid-western university these days) and a constant flow of merchants. It was a nexus of trade and intellectual life on the continent which then slowed. Perhaps because it did not intersect with the dramatic tension between three continents, like Alexandria, it was less prone both to collateral damage *and* the request by military or religious leaders to dispose of books not relevant to the prevailing winds. In any case, this slowing may well have ensured greater preservation over time.

It’s also confirmation that a library in the middle of a continent–away from the intersection of countries, military conquests and ascendant religious movements–is a really good idea.    With “ancient-book fever” now in Timbuktu, some combination of library and family models will have to preserve them.

A little while ago Clock designer and Long Now founder Danny Hillis came across this podcasted radio show by former president Thomas Jefferson.  We were all surprised to find him giving radio broadcasts given he passed away in 01826 (on the 4th of July I might add).  But what was most surprising was to find that one of his episodes discussed the Clock of the Long Now (Listen to the MP3).  Danny listened with great interest as Jefferson discussed our project, clocks and time in general, and decided to send in a letter.  And just the other day Jefferson discussed the letter at length on the show (Listen to that MP3).  As you would expect, Jefferson has an encyclopedic knowledge of new and old world technology, clocks and mechanica.  It makes for fun listening, happy holidays.

You’ve seen Seattle-based artist Chris Jordan’s work before — at this very blog, for instance. Aside from the unmistakable green thread of ecologically conscientious, socially critical themes running through it, a signature element is his use of scale: a pattern that looks one way at a distance is revealed as something else up close. Often the near and far perspectives comment on each other.

Below appears a set of images of a 2009 work called “E Pluribus Unum” — “Out of many, one” (an important U.S. motto).

Jordan’s website explains:

This large scale mandala depicts the names of one million organizations around the world that are devoted to peace, environmental stewardship, social justice, and the preservation of diverse and indigenous culture.

The actual number of such organizations is unknown, but Paul Hawken’s “Blessed Unrest” project estimates the number at somewhere between one and two million, and growing. If the lines in this piece were straightened out, they would make an unbroken line of names, in a ten point font, twenty seven miles long.

Of course, to read the statistics is one thing; actually to image them is another. This remarkable visualisation helps bring home the scale of social transformation, at the institutional level, which we are currently undergoing.

Paul Hawken’s Seminar About Long-term Thinking that deals with the themes of Blessed Unrest can be found here.

[Images: Chris Jordan]

Long Now friend and supporter Ken Wilson sends in this awesome concept for the Stockholm Library.  This design seems like it would lend itself well to a 10,000 year library…

The image above is a rendering by a team of students at the Architecture School of Paris La Seine. You can see the un-textured model below and read how the design was generated over at CG Society.