June 26th, 02006 by Simone Davalos
In a dazzling duet Will Wright and Brian Eno gave an intense clinic on the joys and techniques of “generative” creation.
Back in the 1970s both speakers got hooked by cellular automata such as Conway’s “Game of Life,” where just a few simple rules could unleash profoundly unpredictable and infinitely varied dynamic patterns. Cellular automata were the secret ingredient of Wright’s genre-busting computer game “SimCity” in 1989. Eno was additionally inspired by Steve Reich’s “It’s Gonna Rain,” in which two identical 1.8 second tape loops beat against each other out of phase for a riveting 20 minutes. That idea led to Eno’s “Music for Airports” (1978), and the genre he named “ambient music” was born.
Wright observed that science is all about compressing reality to minimal rule sets, but generative creation goes the opposite direction…
Read the rest of Stewart Brand’s Summary
This entry was posted on Monday, June 26th, 02006 at 5:06 pm and is filed under Seminars.